Caesar III (Impressions Software, 1998)

“Have to make the people go where they must,” I keep telling myself.  Playing Caesar 3, which some call “SimRome.” Efficient city-building means getting everyone access to goods and services. Except, say, when you set a Library down, it doesn’t cover a specific portion of the map unless you know exactly what you’re doing. The […]

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Aubrey Beardsley, “The Death of Pierrot” (1896)

The clown’s passing is not unremarkable. “The thinness of [Beardsley’s] tragically elegant lines suggest the breaking off of everything” (1). The lines are indeed everything. Death comes into the room stealthily, majestically, in four dressed as though they left a masquerade or performance. Supple lines convey their agility and figures, their easy confidence comparable to […]

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On Stuff

For H.M.W. For me, Jerry Seinfeld’s stand-up on Jimmy Fallon was funny, though marked by a peculiar darkness. At first, it seemed a fairly typical look at how ridiculous materialism is. Fallon had just handed out flat-screen tv’s to the audience. Seinfeld asserted this more a problem than a blessing, as most of the audience […]

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Maiko Shioda, “let me dream”

With thanks to Mark Alonzo and Coco Rico Sharing one’s dreams is very risky.  It could be interpreted as an act of incredible shamelessness or bravery. Maiko Shioda’s reflections on her dreams are vulnerable and searching. They’re an invitation to reconstruct pointed pains and doubts, acknowledging how we’ve grown. They come towards the viewer, encompassing […]

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George Romney, “Young Man with a Flute”

The cutest and saddest thing happened while I was staring at this. Some little girl was being led by her Dad past this painting. She slowed a bit and attempted to read the caption – got the name “George” said correctly, but struggled with “Romney.” Dad dragged her past and put her in front of […]

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