On Frost’s “Meeting and Passing”

Meeting and Passing
Robert Frost

As I went down the hill along the wall
There was a gate I had leaned at for the view
And had just turned from when I first saw you
As you came up the hill. We met. But all
We did that day was mingle great and small
Footprints in summer dust as if we drew
The figure of our being less than two
But more than one as yet. Your parasol

Pointed the decimal off with one deep thrust.
And all the time we talked you seemed to see
Something down there to smile at in the dust.
(Oh, it was without prejudice to me!)
Afterward I went past what you had passed
Before we met and you what I had passed.

Commentary:

The hill in the first stanza has many ways one can go up and down it; I assume a gate implies that a path runs perpendicular to the path our speaker is on. It is then quite remarkable that he finds someone on the exact same path he is on, and that seems to be the prelude to love. Love is depicted in the first stanza as continual turning: he turns and discovers her, the mingling of footprints suggests that they are walking in circles, around and around a section of the hill - incidentally, Purgatory, in the Divine Comedy, is a mountain one walks up to get to Paradise (more on Frost and Dante).

The turning of summer walks, though, changes with in the second stanza; the parasol points, not merely circles, and it demands a unity that is not to be. I wonder if she is younger than he; she's coming up the hill as he's coming down, yet her face is pointed downward, like she knows something - or believes something - he doesn't. She wants whatever is at the top, which might be connected with what she smiles at in the dust. He, on the other hand is returning to the earthly, and knows her love was not True, not because she wasn't sincere, but precisely because she was sincere.

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5 Comments

  • What is the last line in the last stanza? I can’t seem to make it out.

    Is every­thing set for the 8th of december?

  • Maybe I just don’t under­stand it. The word­ing in the last line seems awk­ward to me. Is it sup­possed to be that way?

  • Yeah, it’s tricky. I took it apart to under­stand it:

    - After­ward I went past what you had passed

    That seems clear enough, the speaker going down the hill went past some­thing she had moved beyond before, and it has an appeal to him, but not to her.

    - Before we met

    Rein­forces the above. She passed some­thing before.

    - and you what I had passed.

    And she, in rela­tion to him “after­ward,” is some­thing that he has passed.

    The the­matic sig­nif­i­cance is that their meet­ing might as well have been a pass­ing, I think.

  • some parts of it are great while some are lack­ing only because of place­ment. There is a great poetry site you should join and you will become an excel­lent poet, you have great poten­tial. Join it and start post­ing your poetry they will help you grow. http://www.lit.org

  • could please pro­vide a deeper analysis

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